Adobe Premiere Pro CS4 Manual do Utilizador Página 404
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USING ADOBE PREMIERE PRO CS4
Effects and transitions
Last updated 11/6/2011
Dip To White transition
For information on using Dip To White, watch the online training video on the Total Training website.
Dither Dissolve transition
Dither Dissolve fades clip A to clip B using a dithering algorithm. You can specify any of the following options:
Border Width increases the size o the dithering. The default is zero.
Border Color Determines the color used for the dithering. The default is black.
Anti-aliasing Quality The default is Off.
Non-Additive Dissolve transition
Non-Additive Dissolve maps the luminance of clip A onto clip B.
Random Invert transition
Random Invert produces random blocks inverting the color of clip A, and then the blocks disappear, revealing clip B.
- Contents 3
- Chapter 1: Resources 7
- Help and support 8
- Product Help 9
- Printed resources 9
- Support resources 9
- New features 10
- Chapter 2: User interface 12
- Dock, group, or float panels 13
- 2 Do one of the following: 14
- Resize panel groups 15
- Navigate the panels 16
- Display any panel full-screen 16
- Preferences 20
- Appearance preferences 21
- Audio preferences 21
- Audio Hardware preferences 21
- Change the Auto Save settings 22
- Capture preferences 22
- Device Control preferences 22
- Label Colors preferences 22
- Label Defaults preferences 23
- Media preferences 23
- Player Settings preferences 23
- Titler preferences 23
- Trim preferences 24
- Basic workflow 25
- File-based workflows 31
- DVD or Blu-ray Disc workflow 31
- SWF workflow 32
- Cross-platform workflow 33
- Cross-application workflows 33
- About Adobe Bridge 34
- Adobe Dynamic Link 40
- Link to a new composition 43
- Metadata workflow 45
- Setting up your system 46
- Set up a file-based system 48
- Audio Hardware panel options 50
- Specify scratch disks 52
- Chapter 4: Project setup 54
- Review project settings 55
- Project Settings dialog box 55
- Open a project 56
- Delete a project file 56
- Aspect ratios 57
- Common pixel aspect ratios 59
- About square-pixel footage 60
- Fix aspect ratio distortion 61
- Capturing and digitizing 62
- Capture panel 63
- Set capture preferences 64
- Select tracks for capture 65
- Capture with device control 68
- Select and capture a clip 69
- Use automatic scene detection 70
- Capturing DV or HDV video 71
- Capturing HD video 72
- Digitizing analog video 73
- Capturing content for DVD 74
- About batch capturing 75
- Log clips for batch capturing 75
- Log clips interactively 76
- Batch capture clips 78
- Import and export batch lists 79
- Work with offline clips 79
- Create an offline clip 80
- Edit an offline clip 80
- Timecode 82
- Stripe a tape with timecode 84
- Replace DV timecode 84
- Capturing timecode 85
- Enter timecode 85
- View timecode as a burn-in 85
- About transferring files 86
- About importing files 87
- Channel support 88
- Move the Media Cache Database 93
- Importing still images 96
- Importing Illustrator images 99
- Audio sample rates supported 100
- Conforming audio 100
- 4 Do one of the following: 101
- More Help topics 102
- Import CMX3600 EDL projects 103
- Final Cut Pro clip data 104
- Last updated 11/6/2011 105
- Final Cut Pro Multiclips 106
- Final Cut Pro composite modes 106
- Chapter 6: Managing assets 107
- Rearrange columns 108
- Change the width of a column 108
- Sort by a column 108
- Add a column 108
- List view columns 109
- About bins 110
- Work with bins 111
- Change bin behaviors 111
- Rename a clip 112
- Find assets matching criteria 113
- Remove assets from a project 113
- About clip properties 114
- View the properties of a clip 115
- About the XMP standard 116
- Edit metadata 118
- Search metadata 118
- Create schemas and properties 119
- Set display quality 121
- Change magnification 122
- Playing assets 125
- Jog or shuttle playback 126
- Match a frame with its source 128
- View a scope 128
- Vectorscope 129
- YC Waveform 129
- YCbCr Parade 130
- Reference Monitor 131
- Open a Reference Monitor 132
- About Timeline panels 133
- About sequences 134
- Open a sequence in a Timeline 134
- Navigate in a sequence 134
- USING ADOBE PREMIERE PRO CS4 135
- Add tracks 136
- Delete tracks 136
- Rename a track 137
- Exclude tracks in a sequence 137
- Expand and resize a track 138
- Selecting a sequence preset 139
- Create a sequence 140
- Sequence presets and settings 140
- Sequence Presets options 141
- General settings 141
- Editing sequences and clips 143
- Tracks settings 144
- Change sequence settings 145
- Start a widescreen sequence 145
- Start an HDV or HD sequence 145
- 24p sequences 147
- About 3:2 and 24pA pulldown 148
- Create a 24p sequence 149
- Set 24p playback options 149
- Display 24p source timecode 149
- Multi-camera sequences 150
- Synchronize clips 152
- Record multi-camera edits 153
- Rerecord multi-camera edits 154
- Using multiple sequences 155
- Creating clips 157
- Interpret footage 159
- Create black video 160
- Create a color matte 161
- Adding clips to sequences 162
- Open a sequence 163
- Targeting tracks 163
- Insert a clip into a sequence 166
- Make a three-point edit 167
- Make a four-point edit 168
- Trimming clips 171
- Trim in the Source Monitor 172
- Perform a slip edit 178
- Perform a slide edit 179
- Cancel an edit 180
- Set trim preferences 180
- Find a word in any clip 182
- Edit a text transcript 183
- Select one or more clips 183
- Enable or disable a clip 184
- Group clips 184
- Snap clips 184
- Move clips 185
- Move clips using the keypad 186
- Remove clips from a sequence 187
- Lift and paste frames 187
- Extract and paste frames 187
- Delete clips and close gaps 188
- Delete space between clips 188
- Delete all clips on one track 189
- Render a preview file 190
- Work with preview files 191
- Delete preview files 192
- Correcting mistakes 194
- Work with the History panel 195
- Add markers 195
- Add an unnumbered clip marker 196
- Add a numbered marker 196
- Move a marker 197
- Delete a marker 197
- Add Encore chapter markers 199
- Chapter 9: Editing Audio 201
- About channels in audio clips 202
- Mixing audio tracks and clips 203
- Processing order for audio 203
- Audio Mixer overview 204
- Modify the Audio Mixer 205
- View audio clips 206
- View time in audio time units 207
- Audio channel icons 208
- Map audio channels in a clip 209
- • Ch. 3 to Left-Rear Channel 210
- Extract audio from clips 211
- Render and replace audio 211
- Use a mono clip as stereo 212
- Linking multiple audio clips 212
- Link audio clips 213
- Navigate audio in sample view 215
- Create split edits 216
- Create a split edit 217
- Record a voice-over 218
- Record an analog source 220
- Record audio 220
- Adjusting volume levels 221
- Adjusting gain and volume 222
- Normalize one or more clips 222
- Normalize the Master track 223
- Mix tracks in the Audio Mixer 225
- Audio transitions 226
- Crossfade between audio clips 227
- Applying effects to audio 228
- Copy and paste track effects 229
- Working with VST effects 230
- Recording audio mixes 231
- Audio Mixer automation modes 232
- Panning and balancing 233
- Pan or balance a stereo track 235
- Advanced mixing 237
- Send a track to a submix 238
- Edit Send settings 238
- Work with sends 239
- Routing track output 240
- Edit audio in Adobe Audition 242
- Removing background noises 242
- Chapter 10: Titling 243
- Create a new title 244
- Show video behind the title 245
- Import a title file 245
- About the safe margins 246
- Rename or delete a template 247
- Adding text to titles 248
- Type text without boundaries 249
- Wrap text automatically 249
- Type text along a path 249
- Edit and select text 250
- Specify a font 250
- Change the font size 250
- Change text orientation 250
- Specify text properties 251
- Reflow paragraph text 252
- Set and adjust a tab stop 253
- Delete a tab stop 253
- Draw curves with Pen Tool 254
- Place a logo in a title 257
- Place a logo in a text box 257
- Center objects in titles 258
- Align objects in titles 258
- Distribute objects in titles 259
- Adjust an object’s opacity 259
- Scale objects 259
- About object properties 260
- Fill type options 261
- Add a sheen 262
- Create a drop shadow 264
- Working with styles 265
- Apply a style to an object 266
- Manage style libraries 266
- Roll/Crawl Timing options 267
- Working with effects 268
- About Standard effects 269
- About GPU-accelerated effects 270
- About high bit-depth effects 270
- Find and group effects 271
- Find an effect 272
- Remove a Custom bin 272
- Apply effects to clips 273
- Copy and paste clip effects 273
- Adjusting effects 275
- Blending mode reference 278
- Blending mode gallery 279
- Blending mode descriptions 280
- Customizing effect presets 282
- Apply an effect preset 283
- Creating common effects 284
- Make skin appear smoother 285
- Zoom and pan a still image 285
- Create a Jacob’s Ladder 285
- Scale assets manually 287
- Scale assets automatically 287
- Move a clip along a curve 290
- Eliminate flicker 292
- Vary change to clip speed 299
- Move a split speed keyframe 300
- Freeze a frame 302
- Color correction 304
- Quickly remove a color cast 307
- Adjust luminance using levels 312
- Replace a color 320
- Remove color in a clip 320
- Mix color channels in a clip 321
- Add Lighting Effects 322
- Transition overview 325
- Clip handles and transitions 326
- Applying transitions 328
- Specify a default transition 329
- Fine-tuning transitions 330
- Adjust transition alignment 331
- Change transition duration 333
- Customizing transitions 334
- About the effect reference 335
- Audio effects 337
- Chorus effect 338
- DeClicker effect 338
- DeCrackler effect 339
- DeEsser effect 339
- DeHummer effect 339
- Delay effect 340
- DeNoiser effect 340
- Dynamics effect 340
- EQ effect 341
- Fill Left, Fill Right effects 342
- Flanger effect 342
- Highpass and Lowpass effects 342
- Invert (audio) effect 342
- MultibandCompressor effect 342
- Multitap Delay effect 343
- Notch effect 343
- Parametric EQ effect 343
- Phaser effect 344
- PitchShifter effect 344
- Reverb effect 344
- Audio crossfade transitions 345
- Adjust effects 346
- Convolution Kernel effect 347
- Extract effect 347
- Levels effect 347
- Lighting Effects effect 348
- ProcAmp effect 348
- Shadow/Highlight effect 348
- Blur and Sharpen effects 349
- Compound Blur effect 350
- Directional Blur effect 350
- Gaussian Blur effect 351
- Sharpen effect 351
- Unsharp Mask effect 351
- Channel effects 352
- Calculations effect 353
- Compound Arithmetic effect 353
- Invert (video) effect 354
- Set Matte effect 354
- Color Correction effects 355
- Change Color effect 356
- Change To Color effect 356
- Channel Mixer effect 357
- Color Balance effect 357
- Color Balance (HLS) effect 358
- Equalize effect 358
- Fast Color Corrector effect 358
- Leave Color effect 359
- Luma Corrector effect 360
- Luma Curve effect 361
- RGB Color Corrector effect 362
- RGB Curves effect 363
- Tint effect 367
- Video Limiter effect 367
- Distort effects 368
- Magnify effect 369
- Mirror effect 369
- Offset effect 370
- Spherize effect 370
- Transform effect 370
- Turbulent Displace effect 370
- Twirl effect 371
- Wave Warp effect 371
- GPU effects (Windows only) 372
- Generate effects 373
- Circle effect 375
- Eyedropper Fill effect 375
- Grid effect 376
- Lens Flare effect 377
- Lightning effect 377
- Paint Bucket effect 378
- Ramp effect 379
- Write-on effect 379
- Image Control effects 380
- Keying effects 381
- Color Key effect 383
- Difference Matte effect 383
- Image Matte Key effect 384
- Luma Key effect 384
- Non Red Key effect 385
- Noise & Grain effects 386
- Noise effect 387
- Noise Alpha effect 387
- Perspective effects 389
- Drop Shadow effect 390
- Radial Shadow effect 390
- Render effects 391
- Stylize effects 391
- Brush Strokes effect 392
- Color Emboss effect 392
- Emboss effect 392
- Find Edges effect 393
- Mosaic effect 393
- Posterize effect 393
- Replicate effect 393
- Roughen Edges effect 393
- Solarize effect 394
- Strobe Light effect 395
- Threshold effect 395
- Time effects 396
- Posterize Time effect 397
- Time Warp effect 397
- Transform effects 399
- Transition effects 400
- Linear Wipe effect 401
- Utility effects 402
- Video effects 403
- Video dissolve transitions 403
- Dip To White transition 404
- Dither Dissolve transition 404
- Random Invert transition 404
- Chapter 12: Animation 405
- View keyframes and graphs 406
- Add keyframes 409
- Select keyframes 411
- Delete keyframes 411
- Edit keyframe graphs 412
- Optimize keyframe automation 413
- Moving and copying keyframes 414
- About interpolation 416
- Create Bezier keyframes 418
- Adjust Bezier handles 418
- Creating common animations 419
- Chapter 13: Compositing 421
- Adjust the opacity of clips 422
- About transparency 424
- About keying 425
- Apply a key to a clip 425
- About mattes 427
- Create a solid color matte 432
- Remove a black or white matte 432
- Chapter 14: Exporting 433
- Workflow for exporting files 434
- About compression keyframes 435
- Compression tips 435
- About MPEG 437
- About data rate 437
- High-definition (HD) video 438
- • The High-Def Checklist 439
- Adobe Media Encoder 440
- Viewing area options 441
- Viewing area controls 441
- Import a preset 442
- Export a preset 442
- Delete custom presets 443
- Automatic deinterlacing 445
- Audiences export settings 446
- Tab menu settings 446
- Audio export settings 447
- Clip Notes export settings 448
- Filters export settings 448
- Video export settings 449
- Multiplexer export settings 451
- Others export settings 452
- Export to Panasonic P2 format 454
- Export a still image 458
- Export still-image sequences 459
- About Clip Notes comments 459
- Export a Clip Notes PDF 460
- Add Clip Notes comments 460
- Import Clip Notes comments 461
- Exporting AAF files 464
- About the AAF plug-in 465
- Archiving 466
- Trim or copy your project 466
- About exporting to videotape 468
- Creating motion-picture film 470
- Exporting for the web 471
- Tips for creating FLV files 472
- Export to QuickTime 475
- Exporting XMP metadata 478
- Find keyboard shortcuts 480
- Customize keyboard shortcuts 480
- Remove shortcuts 481
- Default keyboard shortcuts 482
- Keys for the Capture panel 483
- Keys for the Project panel 484
- Keys for the Timeline 484
- Keys for the Titler 487
- Keys for the Trim panel 488
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